Dante Today

Citings & Sightings of Dante's Works in Contemporary and Popular Culture

Visual Art & Architecture Archive

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"Stolen Goya found in Montenegro"

goya%20ugolino.jpg

BBC News
http://news.bbc.co.uk/2/hi/entertainment/4096338.stm

Contributed by Susan Wegner

Posted on November 14, 2006

Dante and Swan

dante%20and%20goose.jpg

Contributed by Richard Abrams

Posted on November 5, 2006

Janet Van Fleet, sculptures for "A Guided Tour of Dante's Inferno"

http://www.infernodante.com/

Posted on September 15, 2006

Neocommedia

"An immersive adaptation of Dante's Divine Comedy exploring the modern deity of Information."

http://www.ikatun.com/neocommedia/#

Posted on September 15, 2006

"Dante's Inferno" a comic strip with an evil character named Dante

http://aelis.chaosnet.org/inferno/index.html

Posted on September 15, 2006

M.W. Kaluta, "Dante's Inferno Portfolio"

1975, for Christopher Enterprises

Posted on September 15, 2006

"Dante's Inferno" font

http://www.specialtyfonts.com/pers/fontsC-D.htm

Posted on September 15, 2006

Ella van Wyk's illustrations of the Inferno's guardians

http://www.fsu.edu/~proghum/interculture/ellavanwyk.htm

Posted on September 15, 2006

"Dante's Inferno" by Alan Sherwood

http://eadstudios.co.uk/

Posted on September 15, 2006

Tribute to Dante's "Comedy" Art Exhibit

San Francisco, May 2007
http://www.patronsofart.com/
http://www.patronsofart.com/DDCTRIBUTE.html

Posted on September 15, 2006

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This experimental website, inspired by students of Arielle Saiber’s “Dante’s Divine Comedy” course, has been built to archive occurrences of Dante and his works in popular and contemporary culture of the twentieth century and beyond. The site catalogs a wide range of Dante "sightings": from the cursory to the extensive, and from a place of superficial knowledge of Dante and his works to deep familiarity with them. We leave the readers the opportunity to judge the nature of each citing, and note the frequency of certain themes over others. The goals are twofold: 1) to provide a central access point for said references; and 2) to offer data that students and scholars of Dante can use to think about the Nachleben (“afterlife”) of Dante’s works in relation of reception theory, resonance, and cultural studies.