Andreev, Michail. "Dante in Russia." Semicerchio: Rivista di Poesia Comparata 36 (2007): 29-31.
Anspaugh, Kelly. "Dante on His Head: Heart of Darkness." Conradiana: A Journal of Joseph Conrad Studies 27, no. 2 (Summer 1995): 135-148.
Banerjee, Ron D. K. "Dante Through the Looking Glass: Rossetti, Pound, and Eliot." Comparative Literature 24 (Spring 1972): 136-49.
Berg, Christine G. "'Light from a Hill of Carbon Paper Dolls': Gloria Naylor's Linden Hills and Dante's Inferno." Modern Language Studies 29, no. 2 (Fall 1999): 1-19.
Biddick, Kathleen. "Dante on the Orient(alsim) Express." The American Historical Review 105, no.4 (October 2000): 1-40.
Blum, Kerstin. "Ralph Ellison and the African American Inferno." SORAC Journal of African Studies: Society of Research on African Cultures 2 (November 2002): 33-42.
Boitani, Piero. "Moby-Dante?." In Dante for the New Millennium, 435-450. New York, NY: Fordham UP, 2003.
Cambon, Glauco. "Dante's Presence in American Literature." Dante Studies, with the Annual Report of the Dante Society 118 (2000): 217-242.
Cavanagh, Michael. "Seamus Heaney's Dante: Making a Party of Oneself." Lectura Dantis: A Forum for Dante Research and Interpretation 12 (Spring 1993): 7-15.
Daigle, Marsha Ann. "Dante's Divine Comedy and C. S. Lewis's Narnia Chronicles." Christianity and Literature 34, no. 4 (Summer 1985): 41-58.
Dasenbrock, Reed Way. "Paradiso ma non troppo: The Place of the Lyric Dante in the Late Cantos of Ezra Pound." Comparative Literature 57, no. 1 (Winter 2005): 45-60.
De Laurentiis, Eileen Jones. "The Influence of Dante on T. S. Eliot." Studi dell'Istituto Linguistico 7 (1984): 322-332.
Evans, Annette. "Allusion as structure: Vittorini and Dante." Symposium (Washington, D.C.) 34 (Spring 1980): 13-28.
Gaudenzi, Cosetta. "Dante's Introduction to the United States as Investigated in Matthew Pearl's The Dante Club." Italian Culture 26 (2008): 85-103.
Giuriceo, Marie. "The Virgil-Dante Relationship in Nineteenth and Twentieth Century French Fiction." Studies in Medievalism 2, no. 2 (Spring 1983): 67-79.
Hawkins, Peter. "Dante's Afterlife." In Dante: A Brief History, 131-165. Malden, MA: Blackwell Publishing, 2006.
Hays, Peter L. "Kesey's One Flew over the Cuckoo's Nest and Dante's La vita nuova." Explicator 46, no. 4 (Summer 1988): 49-50.
Helsinger, Howard. "Joyce and Dante." ELH 35 (December 1968): 591-605.
Hough, Graham. "Dante and Eliot." Critical Quarterly 16 (Winter 1974): 293-305.
Jackel, Brad. "Re-Painting Hell: Conrad's Infernal Imagery." Conradiana: A Journal of Joseph Conrad Studies 33, no. 2 (Summer 2001): 107-128.
Jacoff, Rachel. "Merrill and Dante." In James Merrill: Essays in Criticism, 145-158. Ithaca: Cornell UP, 1983.
Kenner, Hugh. "Pound and the American Dante." In Dante e Pound, 35-38. Ravenna, Italy: Longo, 1998.
Kollman, Judith J. "Charles Williams's All Hallows' Eve: A Modern Adaptation of Dante's Commedia." Studies in Medievalism 3, no. 3-4 (January 1991): 291-305.
Lyday, Lance. "Sanctuary: Faulkner's Inferno." Mississippi Quarterly: The Journal of Southern Culture 35, no. 3 (Summer 1982): 243-253.
McDougal, Stuart Y. "T. S. Eliot's Metaphysical Dante." In Dante among the Moderns, 57-81. Chapel Hill: U of North Carolina P, 1985.
McDougal, Stuart Y. Dante among the Moderns. Chapel Hill: U of North Carolina P, 1985.
Murphy, John J. "Appropriating Dante's World: Willa Cather's American Medievalism." Fu Jen Studies: Literature & Linguistics 35 (2003): 97-113.
Page, Thos. N. Dante and His Influence: Studies. Port Washington, NY: Kennikat, 1969.
Paolucci, Anne et al. Dante's Influence on American Writers, 1776-1976. New York: Griffon House for Dante Soc. of Amer, 1977.
Paolucci, Anne. "Dante's Influence on American Writers 1776-1976." In Dante: Beyond the Commedia, 33-71. Wilmington, DE: Griffon, for Bagehot Council, 2004.
Radcliff-Umstead, Douglas. "Dante's Influence on the Great Dream of Gerhart Hauptmann." Forum Italicum 2 (1968): 23-33.
Reynolds, Mary T. "The Dantean Design of Joyce's Dubliners." In The Seventh of Joyce, 124-130. Bloomington; Brighton: Indiana UP; Harvester, 1982.
Singh, G. "Dante and Pound." Critical Quarterly 17 (Winter 1975): 311-28.
Spina, Giorgio, and Paul Priest. "The Influence of Dante on George MacDonald." North Wind: Journal of the George MacDonald Society 9 (1990): 15-36.
Testa, Bart. "Dante and Cinema: Film across a Chasm." In Dante, Cinema and Television, 189-212. Toronto, ON: U of Toronto P, 2004.
Verduin, Kathleen. "Edith Wharton, Adultery, and the Reception of Francesca da Rimini." Dante Studies, with the Annual Report of the Dante Society 122 (2004): 95-136.
Verduin, Kathleen. "Hemingway's Dante: A Note on Across the River and into the Trees." American Literature: A Journal of Literary History, Criticism, and Bibliography 57, no. 4 (December 1985): 633-640.
Vogel, Lucy. "Symbolist's Inferno: Blok and Dante." The Russian Review 29 (January 1970): 38-51.
Wagstaff, Christopher. "Dante in the Cinema or Dante and the Cinema?" In Dante on View: The Reception of Dante in the Visual and Performing Arts, 163-175. Aldershot, England: Continuum, 2007.
Ward, Catherine C. "Gloria Naylor's Linden Hills: A Modern Inferno." Contemporary Literature 28, no. 1 (Spring 1987): 67-81.
Ward, Jerry W., Jr. "The System of Dante's Hell: Underworlds of Art and Liberation." Griot: Official Journal of the Southern Conference on Afro-American Studies, Inc 6, no. 2 (Summer 1987): 58-64.
Welle, John P. "Fellini's Use of Dante in La dolce vita." Studies in Medievalism 2, no. 3 (Summer 1983): 53-66.
Background Image: Domenico di Michelino, Dante and His Comedy, 1465