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   <title>Dante Today (Arielle Saiber, Bowdoin)</title>
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   <id>tag:learn.bowdoin.edu,2009:/italian/dante//2</id>
   <updated>2009-11-21T00:18:09Z</updated>
   
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<entry>
   <title>Dante&apos;s somewhere between Sacramento and Tahoe</title>
   <link rel="alternate" type="text/html" href="http://learn.bowdoin.edu/italian/dante/dining-leisure/#005256" />
   <id>tag:learn.bowdoin.edu,2009:/italian/dante//2.5256</id>
   
   <published>2009-11-21T00:09:16Z</published>
   <updated>2009-11-21T00:18:09Z</updated>
   
   <summary> Photo: Ruth Caldwell (2009)...</summary>
   <author>
      <name>Arielle Saiber</name>
      
   </author>
   
      <category term="Dining &amp; Leisure" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="69" label="California" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://learn.bowdoin.edu/italian/dante/">
      <![CDATA[<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="dante sacramento.jpg" src="http://learn.bowdoin.edu/italian/dante/images/dante%20sacramento.jpg" width="400" height="250" class="mt-image-none" style="" /></span>

Photo: Ruth Caldwell (2009)]]>
      
   </content>
</entry>

<entry>
   <title>Immigrant conditions likened to Dante&apos;s Inferno</title>
   <link rel="alternate" type="text/html" href="http://learn.bowdoin.edu/italian/dante/written-word/#005255" />
   <id>tag:learn.bowdoin.edu,2009:/italian/dante//2.5255</id>
   
   <published>2009-11-19T15:30:26Z</published>
   <updated>2009-11-20T11:17:43Z</updated>
   
   <summary> ... &quot; &apos;The problem with Turkey must be made an international issue,&apos; Spyros Vougias, the deputy minister for public order, said in an e-mailed statement. Last month, Mr. Vougias ordered the closure of the Pagani center -- a converted...</summary>
   <author>
      <name>Arielle Saiber</name>
      
   </author>
   
      <category term="Written Word" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="161" label="Greece" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="327" label="immigration" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="67" label="Turkey" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://learn.bowdoin.edu/italian/dante/">
      <![CDATA[<a href="http://www.dwb.org/images/news/2009/greece_PaganiDetentionCenter.jpg"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="greece_PaganiDetentionCenter.jpg" src="http://learn.bowdoin.edu/italian/dante/images/greece_PaganiDetentionCenter.jpg" width="400" height="320" class="mt-image-none" style="" /></span></a>

... " 'The problem with Turkey must be made an international issue,' Spyros Vougias, the deputy minister for public order, said in an e-mailed statement. Last month, Mr. Vougias ordered the closure of the Pagani center -- a converted warehouse that had been housing 1,300 migrants -- saying it was 'worse than Dante's inferno.' " ...

Niki Kitsantonis, "Migrants Reaching Greece Despite Efforts to Block Them," <a href="http://www.nytimes.com/2009/11/19/world/europe/19iht-greece.html?emc=tnt&tntemail0=y"><em>The New York Time</em>s</a>, November 18, 2009]]>
      
   </content>
</entry>

<entry>
   <title>Rogue American Woman</title>
   <link rel="alternate" type="text/html" href="http://learn.bowdoin.edu/italian/dante/written-word/#005254" />
   <id>tag:learn.bowdoin.edu,2009:/italian/dante//2.5254</id>
   
   <published>2009-11-18T11:08:19Z</published>
   <updated>2009-11-18T11:19:32Z</updated>
   
   <summary> &quot;Of course, the subtitle of Sarah Palin&apos;s book is An American Life. Because she is the lovely avatar of real Americans -- ordinary, hard-working, God-fearing, common-sense, good, ordinary, real Americans. If you are not living an American life, you...</summary>
   <author>
      <name>Arielle Saiber</name>
      
   </author>
   
      <category term="Written Word" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="324" label="Autobiography" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="326" label="Sarah Palin" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://learn.bowdoin.edu/italian/dante/">
      <![CDATA[<a href="http://scavenging.files.wordpress.com/2009/02/sarah-palin.jpg"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="sarah-palin.jpg" src="http://learn.bowdoin.edu/italian/dante/images/sarah-palin.jpg" width="200" height="240" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></span></a>

"Of course, the subtitle of Sarah Palin's book is <em>An American Life</em>. Because she is the lovely avatar of real Americans -- ordinary, hard-working, God-fearing, common-sense, good, ordinary, real Americans. If you are not living an American life, you are, to use a Palin coinage, living 'bass-ackwards.'...  

"I approached reading her book with trepidation, worried I might learn that I am not a real American, dang it, just another dreaded, jaded 'enlightened elite.' 

"I was born and live in Washington, D.C., after all. Now you'd think that this would be a rather patriotic city to call home, <strong>but Palin paints it as a cross between Sodom and Dante's Fifth Circle.</strong>" ...

Maureen Dowd, <a href="http://www.nytimes.com/2009/11/18/opinion/18dowd.html?_r=1&emc=tnt&tntemail0=y"><em>The New York Times</em></a>, November 17, 2009

]]>
      
   </content>
</entry>

<entry>
   <title>Margaret Visser, &quot;The Gift of Thanks: The Roots and Rituals of Gratitude&quot; (2009)</title>
   <link rel="alternate" type="text/html" href="http://learn.bowdoin.edu/italian/dante/written-word/#005253" />
   <id>tag:learn.bowdoin.edu,2009:/italian/dante//2.5253</id>
   
   <published>2009-11-18T10:57:43Z</published>
   <updated>2009-11-18T11:06:40Z</updated>
   
   <summary> &quot;...The Gift of Thanks is a scholarly, many-angled examination of what gratitude is and how it functions in our lives. Gratitude is a moral emotion of sorts, Ms. Visser writes, one that is more complicated and more vital than...</summary>
   <author>
      <name>Arielle Saiber</name>
      
   </author>
   
      <category term="Written Word" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="322" label="Visser" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://learn.bowdoin.edu/italian/dante/">
      <![CDATA[
<a href="http://www.nytimes.com/2009/11/18/books/18book.html?emc=tnt&tntemail0=y"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="visser.jpg" src="http://learn.bowdoin.edu/italian/dante/image/visser.jpg" width="190" height="239" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></span></a>

"...<em>The Gift of Thanks</em> is a scholarly, many-angled examination of what gratitude is and how it functions in our lives. Gratitude is a moral emotion of sorts, Ms. Visser writes, one that is more complicated and more vital than we think. Ms. Visser acknowledges that simple politeness is the grease that keeps society running and, conversely, how much hostility can build up among people when words like "thanks" are not spoken.

"<strong>In Dante's <em>Inferno</em>, she observes, 'at the bottommost circle of hell, the ungrateful are punished by being eternally frozen in the postures of deference they had failed to perform during their lifetimes: trapped rigid in enveloping ice, they stand erect or upside down, lie prone, or bow face to feet.'</strong>

"In <em>The Gift of Thanks</em>, however, Ms. Visser is most interested in the kind of gratitude that is not compulsory or self-interested. She writes about the humility required to be genuinely grateful, and the essential ability to climb out of one's own head..."

Dwight Garner, "Gratitude's Grace Can Be Itself a Gift," <a href="http://www.nytimes.com/2009/11/18/books/18book.html?emc=tnt&tntemail0=y"><em>The New York Times</em></a>, November 17, 2009
]]>
      
   </content>
</entry>

<entry>
   <title>Vladimir Kobekin, &quot;Hamlet of the Danes, Russian Comedy&quot; (2009)</title>
   <link rel="alternate" type="text/html" href="http://learn.bowdoin.edu/italian/dante/performing-arts/#005252" />
   <id>tag:learn.bowdoin.edu,2009:/italian/dante//2.5252</id>
   
   <published>2009-11-18T10:51:37Z</published>
   <updated>2009-11-18T10:57:25Z</updated>
   
   <summary> &quot;...Mr. Kobekin&apos;s Hamlet of the Danes, Russian Comedy, is hardly a comedy, except perhaps -- as the composer observed -- as the word was used by the likes of Dante. Nor, apart from language, is it notably Russian. It...</summary>
   <author>
      <name>Arielle Saiber</name>
      
   </author>
   
      <category term="Performing Arts" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="320" label="Moscow" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="193" label="Russia" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://learn.bowdoin.edu/italian/dante/">
      <![CDATA[<a href="http://www.moscowguide.moscowtimes.ru/articles/detail.php?ID=352248"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="godunov.jpg" src="http://learn.bowdoin.edu/italian/dante/images/godunov.jpg" width="400" height="250" class="mt-image-none" style="" /></span></a>

"...Mr. Kobekin's <em>Hamlet of the Danes, Russian Comedy</em>, is hardly a comedy, except perhaps -- as the composer observed -- as the word was used by the likes of Dante. Nor, apart from language, is it notably Russian. It is a brash re-telling of Shakespeare's play in contemporary words..."

George Loomis, "Moscow's Second Stage Revels in the Homegrown," <a href="http://www.nytimes.com/2009/11/18/arts/18iht-loomis.html?emc=tnt&tntemail0=y"><em>The New York Times,</em></a> November 17, 2009]]>
      
   </content>
</entry>

<entry>
   <title>Elisabeth Tonnard, &quot;In this Dark Wood&quot; (2008)</title>
   <link rel="alternate" type="text/html" href="http://learn.bowdoin.edu/italian/dante/visual-art-architecture/#005251" />
   <id>tag:learn.bowdoin.edu,2009:/italian/dante//2.5251</id>
   
   <published>2009-11-16T10:24:25Z</published>
   <updated>2009-11-16T10:29:25Z</updated>
   
   <summary> &quot;This book is a modern gothic. It pairs images of people walking alone in nighttime city streets with 90 different English translations I collected of the first lines of Dante&apos;s Inferno. The images, showing a crowd of solitary figures,...</summary>
   <author>
      <name>Arielle Saiber</name>
      
   </author>
   
      <category term="Visual Art &amp; Architecture" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="316" label="Inferno" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="231" label="Photography" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="318" label="San Francisco" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://learn.bowdoin.edu/italian/dante/">
      <![CDATA[<a href="http://elisabethtonnard.com/works/in-this-dark-wood/"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="dante_01.jpg" src="http://learn.bowdoin.edu/italian/dante/images/dante_01.jpg" width="292" height="385" class="mt-image-none" style="" /></span></a>

"This book is a modern gothic. It pairs images of people walking alone in nighttime city streets with <strong>90 different English translations I collected of the first lines of Dante's <em>Inferno</em></strong>. The images, showing a crowd of solitary figures, are selected from the same archive as used for Two of Us (the extraordinary Joseph Selle collection at the Visual Studies Workshop which contains over a million negatives from a company of street photographers working in San Francisco from the 40's to the 70's).

The book is set up in a repetitious way, to stress a sense of similarity, endlessness and interchangeability. The images are re-expressions of each other, and so are the texts."

<a href="http://elisabethtonnard.com/works/in-this-dark-wood/">Elisabeth Tonnard</a>

Contributed by Guy Raffa (University of Texas - Austin)]]>
      
   </content>
</entry>

<entry>
   <title>Joan Jonas, &quot;Reading Dante&quot; (2009)</title>
   <link rel="alternate" type="text/html" href="http://learn.bowdoin.edu/italian/dante/performing-arts/#005250" />
   <id>tag:learn.bowdoin.edu,2009:/italian/dante//2.5250</id>
   
   <published>2009-11-12T13:08:20Z</published>
   <updated>2009-11-12T13:16:18Z</updated>
   
   <summary> &quot;One of the highlights of Performa 09 is Joan Jonas&apos;s &quot;Reading Dante II,&quot; which began its five-night run (with one matinee) at the Performing Garage Tuesday night. It amounts to a 60-minute multimedia collage in the round with moving...</summary>
   <author>
      <name>Arielle Saiber</name>
      
   </author>
   
      <category term="Performing Arts" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="153" label="New York" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="13" label="Theater" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://learn.bowdoin.edu/italian/dante/">
      <![CDATA[<a href="http://performa-arts.org/blog/joan-jonas/"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="2165.jpg" src="http://learn.bowdoin.edu/italian/dante/images/2165.jpg" width="400" height="300" class="mt-image-none" style="" /></span></a>

"One of the highlights of Performa 09 is Joan Jonas's "Reading Dante II," which began its five-night run (with one matinee) at the Performing Garage Tuesday night. It amounts to a 60-minute multimedia collage in the round with moving parts and a smorgasbord of audio accompaniment. This includes music, loud crashes, traffic noises, and voices reading fragments of the work's inspiration: the <em>Inferno, Purgatorio</em> and <em>Paradiso</em> of Dante's <em>Divine Comedy</em>. ...

Roberta Smith, <a href="One of the highlights of Performa 09 is Joan Jonas's "Reading Dante II," which began its five-night run (with one matinee) at the Performing Garage Tuesday night. It amounts to a 60-minute multimedia collage in the round with moving parts and a smorgasbord of audio accompaniment. This includes music, loud crashes, traffic noises, and voices reading fragments of the work's inspiration: the Inferno, Purgatorio and Paradiso of Dante's "Divine Comedy.""><em>The New York Times</em></a>, November 11, 2009

See also:

Joan Jonas on Dante in <a href="http://artforum.com/words/id=20579">Artforum</a>

<a href="http://performa-arts.org/blog/joan-jonas/">Performa</a>: The Performing Garage
33 Wooster St, New York

Contributed by Aisha Woodward (Bowdoin, '08)

]]>
      
   </content>
</entry>

<entry>
   <title>Penny Arcade, &quot;Fabulous Prizes&quot;</title>
   <link rel="alternate" type="text/html" href="http://learn.bowdoin.edu/italian/dante/written-word/#005249" />
   <id>tag:learn.bowdoin.edu,2009:/italian/dante//2.5249</id>
   
   <published>2009-10-25T12:35:35Z</published>
   <updated>2009-10-25T12:38:05Z</updated>
   
   <summary> Contributed by Charlie Russell-Schlesinger (Bowdoin, &apos;08)...</summary>
   <author>
      <name>Arielle Saiber</name>
      
   </author>
   
      <category term="Written Word" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="312" label="comic strip" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="314" label="penny arcade" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://learn.bowdoin.edu/italian/dante/">
      <![CDATA[<a href="http://www.penny-arcade.com/comic/2009/7/29/"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="605607879_UpDhu-L.jpg" src="http://learn.bowdoin.edu/italian/dante/images/605607879_UpDhu-L.jpg" width="400" height="201" class="mt-image-none" style="" /></span></a>

Contributed by Charlie Russell-Schlesinger (Bowdoin, '08)]]>
      
   </content>
</entry>

<entry>
   <title>&quot;New Rivals Pose Threat to New York Stock Exchange&quot;</title>
   <link rel="alternate" type="text/html" href="http://learn.bowdoin.edu/italian/dante/written-word/#005248" />
   <id>tag:learn.bowdoin.edu,2009:/italian/dante//2.5248</id>
   
   <published>2009-10-15T10:12:37Z</published>
   <updated>2009-10-15T10:23:11Z</updated>
   
   <summary> &quot;For most of the 217 years since its founding under a buttonwood tree on Wall Street, the New York Stock Exchange was the high temple of American capitalism. Behind its Greco-Roman facade, traders raised a Dante-esque din in their...</summary>
   <author>
      <name>Arielle Saiber</name>
      
   </author>
   
      <category term="Written Word" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="153" label="New York" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="310" label="stock exchange" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://learn.bowdoin.edu/italian/dante/">
      <![CDATA[<a href="http://www.nytimes.com/2009/10/15/business/15exchange.html?_r=1&emc=tnt&tntemail0=y"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="15exchange_650.jpg" src="http://learn.bowdoin.edu/italian/dante/images/15exchange_650.jpg" width="400" height="234" class="mt-image-none" style="" /></span></a>

"For most of the 217 years since its founding under a buttonwood tree on Wall Street, the New York Stock Exchange was the high temple of American capitalism. Behind its Greco-Roman facade, traders raised a <strong>Dante-esque din </strong>in their pursuit of the almighty dollar. Good times or bad, the daily melee on the cavernous trading floor made the Big Board the greatest marketplace for stocks in the world."

<a href="http://www.nytimes.com/2009/10/15/business/15exchange.html?_r=1&emc=tnt&tntemail0=y">Graham Bowley, <em>The New York Times</em>, October 14, 2009</a>]]>
      
   </content>
</entry>

<entry>
   <title>Dino Galiano scultpures</title>
   <link rel="alternate" type="text/html" href="http://learn.bowdoin.edu/italian/dante/visual-art-architecture/#005247" />
   <id>tag:learn.bowdoin.edu,2009:/italian/dante//2.5247</id>
   
   <published>2009-09-27T17:57:35Z</published>
   <updated>2009-09-27T18:03:08Z</updated>
   
   <summary> &quot;The sculpture garden features high relief marble carvings depicting scenes from Dante&apos;s Divine Comedy. The centerpiece is a solid marble sculpture entitled, The Commedia Block, which is carved on all four sides showing the divisions of Inferno, Purgatorio and...</summary>
   <author>
      <name>Arielle Saiber</name>
      
   </author>
   
      <category term="Visual Art &amp; Architecture" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="308" label="New Jersey" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="33" label="Sculpture" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://learn.bowdoin.edu/italian/dante/">
      <![CDATA[<a href="http://www.casagaliano.com/image_gallery_dante_alighieri"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="betram_dal_bornio.267195033_large.jpg" src="http://learn.bowdoin.edu/italian/dante/images/betram_dal_bornio.267195033_large.jpg" width="410" height="240" class="mt-image-none" style="" /></span></a>

"The sculpture garden features high relief marble carvings depicting scenes from Dante's <em>Divine Comedy</em>.  The centerpiece is a solid marble sculpture entitled, <em>The Commedia Block</em>, which is carved on all four sides showing  the divisions of Inferno, Purgatorio and Paradiso, as well as portraits of  Dante, Virgil, and Beatrice."

<a href="http://www.casagaliano.com/image_gallery_dante_alighieri">http://www.casagaliano.com/image_gallery_dante_alighieri</a>

Information about the <a href="http://www.casagaliano.com/home">The Casa Galiano</a>

]]>
      
   </content>
</entry>

<entry>
   <title>&quot;The Devil Wears Crocs&quot;</title>
   <link rel="alternate" type="text/html" href="http://learn.bowdoin.edu/italian/dante/written-word/#005246" />
   <id>tag:learn.bowdoin.edu,2009:/italian/dante//2.5246</id>
   
   <published>2009-09-27T17:49:29Z</published>
   <updated>2009-09-27T17:57:02Z</updated>
   
   <summary> &quot; With modern presidencies, we have to watch the poignant tableau of such leaders realizing that they have squandered their chance for greatness even as they suffer the indignity of rejection by those who once sought their blessing. &quot;These...</summary>
   <author>
      <name>Arielle Saiber</name>
      
   </author>
   
      <category term="Written Word" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="306" label="crocs" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="305" label="George W. Bush" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://learn.bowdoin.edu/italian/dante/">
      <![CDATA[<a href="http://1.bp.blogspot.com/_5nKq-1AhOEg/R9bN79MB3tI/AAAAAAAAADY/0u6lLT7yoG4/s1600-h/blue_crocs.jpg"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="blue_crocs.jpg" src="http://learn.bowdoin.edu/italian/dante/images/blue_crocs.jpg" width="350" height="350" class="mt-image-none" style="" /></span></a>

" With modern presidencies, we have to watch the poignant tableau of such leaders realizing that they have squandered their chance for greatness even as they suffer the indignity of rejection by those who once sought their blessing.

"These painful periods for W. and Bill Clinton, falling low after starting with such grand hopes, are recounted in two new books.

"...The pen-and-tell by Bush speechwriter Matt Latimer, 'Speech-less,' is being denounced by some former Bushies and Republican commentators as a 'Devil Wears Prada' betrayal. (Except, in this case, the Devil wears Crocs. Preparing to make a prime-time address explaining why the 2008 economic bailout wasn't socialism--'We got to make this understandable for the average cat,' the president tells his speechwriters--W. pads around the White House in Crocs, an image that's hard to get out of your head.)
<strong>
" 'The guy is a worm,' Bill Bennett told Wolf Blitzer about Latimer, adding: 'He needs to read his Dante. He probably hasn't read <em>The Inferno</em>. The lowest circles of hell are for people who are disloyal in the way this guy is disloyal, and at the very lowest point Satan chews on their bodies.' </strong>" ...

Maureen Dowd, <a href="http://www.nytimes.com/2009/09/27/opinion/27dowd.html?emc=tnt&tntemail0=y"><em>The New York Times</em></a>, September 26, 2009]]>
      
   </content>
</entry>

<entry>
   <title>Emio Greco and Pieter C. Scholten, &quot;Popopera&quot; (2009)</title>
   <link rel="alternate" type="text/html" href="http://learn.bowdoin.edu/italian/dante/performing-arts/#005245" />
   <id>tag:learn.bowdoin.edu,2009:/italian/dante//2.5245</id>
   
   <published>2009-09-25T10:04:52Z</published>
   <updated>2009-09-25T10:15:06Z</updated>
   
   <summary> &quot;After presenting their highly acclaimed HELL, based on Dante&apos;s Inferno, Emio Greco | PC has completed [purgatorio] POPOPERA which will have its NYC premiere at The Joyce Theater. The company takes its inspiration from Dante&apos;s literary depiction of a...</summary>
   <author>
      <name>Arielle Saiber</name>
      
   </author>
   
      <category term="Performing Arts" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="185" label="Amsterdam" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="126" label="dance" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="153" label="New York" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://learn.bowdoin.edu/italian/dante/">
      <![CDATA[<a href="http://broadwayworld.com/article/The_Joyce_Theater_Welcomes_Emio_Greco_929104_20090916"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="emiogreco_hell2web.jpg" src="http://learn.bowdoin.edu/italian/dante/images/emiogreco_hell2web.jpg" width="400" height="294" class="mt-image-none" style="" /></span></a>


"<strong>After presenting their highly acclaimed HELL, based on Dante's <em>Inferno</em>, Emio Greco | PC has completed [purgatorio] POPOPERA</strong> which will have its NYC premiere at The Joyce Theater. The company takes its inspiration from Dante's literary depiction of a geographical place and feeling of transition that provides the opening for inner transformation. Greco and Scholten have said, 'whereas in HELL we let our dancers wander round the same circles each time, in [purgatorio] POPOPERA they break out of them. The will, the need to live and especially the hope for the future are the essential motives. In [purgatorio] POPOPERA we try to show the audience other images than it expects of those overly familiar themes that cling to the concept of purgatory (catharsis, purification through suffering, ...) in order to approach these themes from new angles.' The company invites audiences to witness the transformation and synergies between dancers' bodies and the lustrous black electric guitars they carry in this performance that melds dance with rock concert. The piece features original music composed by Bang-on-a-Can founder Michael Gordon, performed live by the dancers and soprano Michaela Riener..."

<a href="http://broadwayworld.com/article/The_Joyce_Theater_Welcomes_Emio_Greco_929104_20090916">The Joyce Theater</a>

<a href="http://www.ickamsterdam.com/index.php?art=580">Ickamsterdam</a>
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   </content>
</entry>

<entry>
   <title>Evelyn Paul, Stories from Dante (1911) greeting cards</title>
   <link rel="alternate" type="text/html" href="http://learn.bowdoin.edu/italian/dante/consumer-goods/#005244" />
   <id>tag:learn.bowdoin.edu,2009:/italian/dante//2.5244</id>
   
   <published>2009-09-17T19:50:35Z</published>
   <updated>2009-09-17T19:54:35Z</updated>
   
   <summary> Dante Gabriel Rossetti, illustrations for the book Spirit of the Ages greeting cards Contributed by Virginia Jewiss (Yale Humanities Program)...</summary>
   <author>
      <name>Arielle Saiber</name>
      
   </author>
   
      <category term="Consumer Goods" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="Visual Art &amp; Architecture" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="303" label="greeting cards" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="297" label="illustration" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://learn.bowdoin.edu/italian/dante/">
      <![CDATA[<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="rossetti.jpg" src="http://learn.bowdoin.edu/italian/dante/images/rossetti.jpg" width="166" height="250" class="mt-image-none" style="" /></span>

<a href="http://www.spiritoftheages.com/Stories%20from%20Dante%20(1911)%20-%20Evelyn%20Paul.htm">Dante Gabriel Rossetti, illustrations for the book</a>

<a href="http://www.spiritoftheages.com/Stories%20from%20Dante%20(1911)%20-%20Evelyn%20Paul.htm">Spirit of the Ages greeting cards</a>

Contributed by Virginia Jewiss (Yale Humanities Program)
]]>
      
   </content>
</entry>

<entry>
   <title>Robert Olen Butler, Hell (2009)</title>
   <link rel="alternate" type="text/html" href="http://learn.bowdoin.edu/italian/dante/written-word/#005243" />
   <id>tag:learn.bowdoin.edu,2009:/italian/dante//2.5243</id>
   
   <published>2009-09-07T09:44:09Z</published>
   <updated>2009-09-07T09:52:46Z</updated>
   
   <summary> &quot;The fresh hell described by Robert Olen Butler&apos;s new novel is crammed with random celebrities... Patrolled by Satan&apos;s minions (among them, two of the Bee Gees) dressed in powder-blue jumpsuits, it&apos;s filled with bookstores that optimistically open with new...</summary>
   <author>
      <name>Arielle Saiber</name>
      
   </author>
   
      <category term="Written Word" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="299" label="Butler" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="57" label="Fiction" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="301" label="Hell" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://learn.bowdoin.edu/italian/dante/">
      <![CDATA[<a href="http://www.fantasticfiction.co.uk/images/n62/n310551.jpg"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="butler hell.jpg" src="http://learn.bowdoin.edu/italian/dante/images/butler%20hell.jpg" width="200" height="300 " class="mt-image-none" style="" /></span></a>

"The fresh hell described by Robert Olen Butler's new novel is crammed with random celebrities... Patrolled by Satan's minions (among them, two of the Bee Gees) dressed in powder-blue jumpsuits, it's filled with bookstores that optimistically open with new owners at every sunrise -- only to go out of business by the end of each day. If the books they can't sell in hell are maddeningly uneven, ever bouncing between passable wit and sophomoric giggles. Mr. Butler's slapdash <em>Hell</em> deserves shelf space there...

"Somehow, in the course of Mr. Butler's fever dream of a plot, <em>Hell</em> <strong>also includes Dante's Beatrice, now a film noir dame contending with Humphrey Bogart, who pines for Lauren Bacall;</strong> a chorus of singing cockroaches enamored of the phrase 'poopy butt'; Michael Jackson, doing a woefully inadequate job of singing Wagner and consigned to 'Everland, the densely populated molester estate on the edge of the city'; Bobby Fischer, playing chess with a computer from Hadassah; Jerry Seinfeld, whose jokes all bomb; and Celine Dion, who just won't quit singing that damn 'Titanic' song."

...

Janet Maslin, <a href="http://www.nytimes.com/2009/09/07/books/07maslin.html?emc=tnt&tntemail0=y"><em>The New York Times</em></a>, September 6, 2009]]>
      
   </content>
</entry>

<entry>
   <title>Sandow Birk, Dante, and Islam</title>
   <link rel="alternate" type="text/html" href="http://learn.bowdoin.edu/italian/dante/visual-art-architecture/#005242" />
   <id>tag:learn.bowdoin.edu,2009:/italian/dante//2.5242</id>
   
   <published>2009-08-30T12:39:06Z</published>
   <updated>2009-08-30T12:47:33Z</updated>
   
   <summary> &quot;THE last time that the artist Sandow Birk found himself concerned about responses from Muslims was in 2006. He was developing a film using puppets, inspired by his illustrations for a three-volume English-language version of Dante&apos;s &quot;Divine Comedy,&quot; when...</summary>
   <author>
      <name>Arielle Saiber</name>
      
   </author>
   
      <category term="Visual Art &amp; Architecture" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="69" label="California" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="297" label="illustration" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="288" label="Islam" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="153" label="New York" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://learn.bowdoin.edu/italian/dante/">
      <![CDATA[<a href="http://www.nytimes.com/2009/08/30/arts/design/30fink.html?emc=tnt&tntemail0=y"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="sandow.jpg" src="http://learn.bowdoin.edu/italian/dante/images/sandow.jpg" width="190" height="140" class="mt-image-none" style="" /></span></a>

"THE last time that the artist Sandow Birk found himself concerned about responses from Muslims was in 2006. He was developing a film using puppets, inspired by his illustrations for a three-volume English-language version of Dante's "Divine Comedy," when riots broke out over the Danish newspaper cartoons representing Muhammad.

The outcry prompted Mr. Birk's film team to reconsider its own representation of the prophet. "We had Muhammad in our film because he was in Dante's poem," he said. "Dante put him in 'Inferno' as someone who supposedly created schisms." He argued at the time for respecting Dante's treatment of Muhammad, as artists like Gustave Doré had done before him.

But the film's producers were spooked, and Muhammad disappeared from the film. "I thought it was wrong to act out of fear," Mr. Birk said from his studio here.

"But I was upset for another reason too," he admitted. His film collaborators didn't know at the time, but quietly -- privately -- he had already embarked on another potentially controversial project: an effort to make by hand what he called a "personal Koran."

Curious to learn more about the book at the heart of Islam and the center of so many global events, in 2004 he began transcribing English translations of the book's 114 chapters and painting alongside them contemporary American scenes (though with no representations of Muhammad).

"I couldn't help but think," he said, "if this five-second clip in the Dante film could stir such debate, what was going to happen when I started showing my Koran?"

He will soon find out. The first exhibitions of Mr. Birk's "American Qur'an," a work-on-paper series that is roughly a third complete, is about to open: 30 hand-painted pages at Catharine Clark Gallery in San Francisco starting on Thursday and another 30 at Koplin Del Rio gallery in Culver City starting Friday. (A New York exhibition slated for this fall at the P.P.O.W. Gallery was rescheduled for winter 2010 after a gallery fire.)"

...

Jori Finkel, <a href="http://www.nytimes.com/2009/08/30/arts/design/30fink.html?emc=tnt&tntemail0=y"><em>The New York Times</em></a>, August 28, 2009

<a href="http://www.dantefilm.com/trailer.html">See information about Birk's "Dante's <em>Inferno</em>" film here</a>]]>
      
   </content>
</entry>

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